To: K-list 
Recieved: 2000/08/02  18:54  
Subject: [K-list] The Yoga of Sound, PT. 4 
From: James
  
On 2000/08/02  18:54, James posted thus to the K-list: 
From:  James   jamesbeanATnospamapexmail.com  
 
THE YOGA OF SOUND, PART FOUR
 
By James Bean
 
Copywrite September 1997 
 
HEARING THE MUSIC OF THE SPHERES IN SUFI MYSTICISM
 
"The Mysticism of Sound" by Hazrat Inayat Khan is an amazing book  
presenting the Sufi teachings on inner Sound and the HU Chant (HU is  
an Arabic word pronounced: "whoooooooooo").  I highly recommend it to  
anyone interested in the Sound Current teachings of Sufi mysticism.
 
Hazrat Khan on hearing the Mystic-Sound:  Abstract Sound is called  
Saut-e Sarmad by the Sufis; all space is filled with it. The  
vibrations of this Sound are too fine to be either audible or visible  
to the material eyes or ears, since it is even difficult for the eyes  
to see the form and color of the ethereal vibrations on the external  
plane.  It was the Saut-e Sarmad, the Sound of the abstract plane,  
which Muhammad heard in the cave of Ghar-e Hira when he became lost  
in his divine Ideal. The Qur'an refers to this Sound in the  
words, 'Be! and all became.' Moses heard this very Sound on Mount  
Sinai, when in communion with God; and the same Word was audible to  
Christ when absorbed in his Heavenly Father in the wilderness. Shiva  
heard the same Anhad Nada during his Samadhi [deep meditation] in the  
cave of the Himalayas.  The flute of Krishna is symbolic of the same  
Sound.  This Sound is the source of all revelation to the Masters, to  
whom it is revealed from within; it is because of this that they know  
and teach one and the same truth. (The Sufi Message Series, II)
 
HEARING THE SOUND CURRENT IN THE ANCIENT GNOSTIC RELIGION 
 
Before the Sufi mystics of the west, in ancient times there were  
Gnostics: Jewish, Hermetic, and Christian mystics who also described  
hearing the Sound, and seeing the Light of God while in deep states  
of meditation. The following is from "The Gnostic Mystery" by Andrea  
Grace Diem. She quotes from the Nag Hammadi Library, several ancient  
new testament-like collections of holy books written in the Coptic  
language of Egypt:
 
Man's soul shall become, when it leaveth the body, a great flood of  
Light, so as to traverse all the regions until it cometh into the  
Kingdom of Mystery. 
 
[I] turned to myself [and] saw Light that [surrounded] me and the  
Good that was in me; I became divine. (Allogenes)
 
In Trimorphic Protennoia the gnostic writer (in the voice of God)  
describes how this transformation takes place:
 
I cast [voiced] Speech [or Sound] into the ears of those who know me.  
And I am inviting you into the exalted, perfect Light. Moreover (as  
for) this (Light), when you enter it you will be glorified ... you  
will become gloriously glorious, the way you first were when you were  
<Light>. And I hid myself in everyone and revealed [myself] within  
them, and every mind seeking me longed for me, for it is I who gave  
shape to the All when it had no form. And I transformed their forms  
into (other) forms until the time when a form will be given to the  
All. It is through me that the Voice originated ... And it is a Word,  
by virtue of a Sound; it was sent to illumine those who dwell in  
darkness...[I] am a Light that illuminates the All. I am the Light  
that rejoices [in my] brethren, for I came down to the world [of]  
mortals...
 
When describing the philosophical nature of the cosmos, Gnostic  
writers emphasize this Sound Current, variously referred to as Word,  
Voice, Logos, Speech, or simply Sound. Also, throughout Gnostic texts  
reference is made to the manifestation of a mystical Light, known as  
Treasury of Light, Immeasurable Light, etc. In the Trimorphic  
Protennoia it is described in the following way:
 
I am [the Word] who dwells [in the] ineffable [Silence]. I dwell in  
undefiled [Light] and a Thought [revealed itself] perceptibly through  
[the great] Sound ... And it [the Sound] exists from the beginning in  
the foundations of the All. But there is a Light [that] swells hidden  
in Silence and it was the first to [come] forth...I alone am the  
Word, ineffable, incorruptible, immeasurable, inconceivable. It (the  
Word?) is a hidden Light ... being unreproducible, an immeasurable  
Light, the source of All...It is foundation that supports every  
movement of the Aeons that belong to the mighty glory. It is the  
founding of every foundation. It is the breath of the powers. It is  
the eye of the three permanence's, which exist as a Voice by virtue  
of a Thought. And it is a Word by virtue of the Sound ... I (the  
Word) became a foundation for the All........  (Trimorphic  
Protennoina in, "The Nag Hammadi Library In English," James M.  
Robinson, Harper Collins) 
 
THE NADA AND SHABDA YOGA SYSTEMS OF INDIA
 
Hinduism is very much a religion of divine Light and Sound; many  
Indian scriptures and spiritual traditions teach about the universe  
being created through the Sound of AUM, the ecstasy of hearing the  
cosmic flute of Krishna, or hearing the Unstruck Melody (Anhad  
Shabad) of God that reverberates throughout the universe. Yogis of  
Nada Yoga and Masters of Shabda Yoga Meditation impart to their  
students knowledge about developing their inner spiritual sense of  
transcendental hearing.
 
NADA YOGA, HEARING THE ETERNAL SOUND
 
A good example of Nada Yoga practice is found in, "The Shambhala  
Guide To Yoga," George Feuerstein, Shambala Books: "First, the  
practitioner should block his or her ears with the fingers and focus  
inwardly, listening for the arising of the inner Sound.  To begin  
with, a variety of sounds may be heard -- the practitioner may hears  
sounds like: the sound of the ocean, a rain cloud, a drum, a  
kettledrum, a conch, a bell [ringing sound], a horn, a flute, a lute,  
or a bee [humming sound]."  The "Nada Bindu Upanishad," an ancient  
Hindu scripture on Sound Meditation (Nada Yoga), mentions the  
possibility of hearing a sound that resembles the Vina, an instrument  
used in Indian classical music.  
 
According to this tradition, these sounds are always resounding 
in the soul, thus when one attains a certain level of stillness and  
concentration, spiritual Sound becomes audible.  In truth, the inner  
Sound is always there, it is we (our attention) who come and go. We  
gain awareness of the Sound, creating the illusion that the Sound  
has "arrived."  When we get distracted or leave off our meditation  
practice, it seems to us that the Sound has "stopped."  However, this  
otherworldly Sound continues, like radio waves flowing through the  
atmosphere, available to be "tuned in" anytime we want to listen.
 
PART FOUR///
 
"The vibrations of this Sound are too fine to be either audible or  
visible to the material eyes or ears......"  (Hazrat Khan)  Yet, as  
Masters and mystics often point out, there is another kind of hearing  
and another kind of seeing.  The eyes and ears of the soul -- the  
spiritual senses -- can be developed.  There is Light coming from  
beyond the darkness, and there is Music coming from beyond the  
silence, for those who have ears to hear: those who desire to  
meditate and discover the wonders of inner space for themselves.   
  
Part Five will focus upon the Shabda Yoga tradition of India:  
Meditation upon the Inner Light and Sound (Shabad, Saut-e Sarmad) of  
God.
 
James 
 
 
 
 
 
 
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