To: K-list 
Recieved: 1999/11/22  11:43  
Subject: [K-list] Indian music / The coordinated brain 
From: winter mute
  
On 1999/11/22  11:43, winter mute posted thus to the K-list: 
 
On Sun, 21 Nov 1999 15:52:08   MHortling wrote:
 
>Indian music divides the octave into 22 notes with a large number of "in-between" ornamental and grace notes as well, so there's a larger number of notes  
>to choose from and the music contains more subtle shadings. 
 
That's a pretty complex scale. :)) 
Quite impressive. 
 
No wonder it takes such a long time to learn to play 
an Indian instrument properly.
 
I wonder if the Indian tonal system is the only one  
so apted to effect emotional response in the form of vibrations...
 
>Ragas are also linked to be played at specific times of the day and  
>the seasons and Indian classical musicians take this very seriously - play a  
>morning raga at night and the karmic hammer is sure to come down 
 
Rather highly connected with the religion 
I take it. 
No wonder many Indian gurus did on the side composition 
/ singing.  :)
 
>What really works well in this respect are tablas  
>this sequence is  
>vocalized (silently mostly) while the fingers play the strokes and thus the  
>sounds on the instrument. The effect is very meditative, the vocalizing has  
>the effect of a mantra, the ears, hands and fingers are coordinated with the  
>mantra and one can actually sense the brain waves and the two cerebral  
>hemispheres becoming harmonized...
 
Nice touch !  ;)
 
I'll try and watch the tabla player next time 
I see an Indian band.  
 
Is correct that Indian music in a great part 
relies on improvisation as well ? 
That must increase the complexity and time for 
learning a lot.
 
Thanks for explaining about Indian music.  :))
 
Best regards,
 
Amanda.
 
 
Angelfire for your free web-based e-mail. http://www.angelfire.com
 
 
 
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